{"id":2757,"date":"2021-12-02T15:17:47","date_gmt":"2021-12-02T15:17:47","guid":{"rendered":"https:\/\/byta.com\/blog\/?post_type=methodtomymusic&#038;p=2757"},"modified":"2022-04-27T06:27:53","modified_gmt":"2022-04-27T06:27:53","slug":"isabelle-banos","status":"publish","type":"methodtomymusic","link":"https:\/\/byta.com\/blog\/methodtomymusic\/isabelle-banos\/","title":{"rendered":"Isabelle Banos"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Where are you based?<\/h2>\n\n\n\n<p>Montreal. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">How, when and where did you start making music? Are you primarily a musician or a producer, or do something else?<\/h2>\n\n\n\n<p>I\u2019ve been playing since I was a kid, and I think I started recording songs as early as 12 years old. I had this boombox that had extra features on it, like built-in drum sample pads and a \u201cvinyl scratch\u201d knob that I would layer on top of cassettes I had recorded original songs onto. Ok I just spent way too long googling it &#8211; it\u2019s the JVC RV-DP100 and if that doesn\u2019t scream 1999, I don\u2019t know what does (I\u2019ll include a photo below)! All to say, I\u2019ve always been drawn to writing and recording original music. I consider myself equal parts musician and producer; I absolutely love writing and performing music with Caveboy, and I love creating music for others too!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Who would you consider some of your biggest influences when it comes to your \u201csound\u201d?<\/h2>\n\n\n\n<p>I\u2019m really influenced by the simplicity and nostalgia of Jack Antonoff productions. I love his use of classic sounds, whether it\u2019s romantic guitar riffs, emotive vintage synth layers, or big 80\u2019s drums. That\u2019s the kind of stuff that tends to make me feel the feelings, so I often find myself using similar sounding layers in my own productions. My other big influence is Grimes. Learning about her process of making \u201cArt Angels\u201d was really inspiring to me as a female producer, I became a lot more confident. One of her tricks that I still use today is adding a very subtle \u201ccrowd\u201d layer secretly tucked in sections of songs that might need a boost in energy.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2640.jpg\" alt=\"\" class=\"wp-image-2766\" srcset=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2640.jpg 800w, https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2640-300x225.jpg 300w, https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2640-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption>&#8220;You miss 100% of the harmonies you don&#8217;t record&#8221;<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Explain your creative process? Do you have a routine?<\/h2>\n\n\n\n<p>It\u2019s funny, my aunt was just telling me about how I was the kind of kid who you could always find playing alone, not really wanting to be disturbed, like I was \u201cin the zone\u201d. I feel like that is still a huge part of my day-to-day; I\u2019m really guided by being \u201cin the zone\u201d or not. I don\u2019t have a strict schedule, I\u2019m really lucky to have the flexibility of making my own hours, so this allows me to jump into the creative process whenever I\u2019m feeling it, and when I am feeling it, it\u2019s very hard for me to stop. I tend to obsess about finishing what I\u2019ve started in one sitting. I love trying to create a whole song from start to finish in one day if I can. The songwriting itself often starts with some kind of chord progression or musical riff that feels inspiring. I\u2019ll create a long loop and record myself singing some melodic gibberish over the music. I\u2019ll listen back and pick out the parts that gave me the best gut reactions, and continue to finesse them from there. Depending if I feel the song would be pitched to an artist, or used for a sync brief, I\u2019ll start to put some lyrics to the mumbles. Once the song is there, I\u2019ll start to produce the arrangement with more instruments layers, drums, transitions, etc. This is a pretty new process for me but I\u2019m really loving it so far. I like to change up my process now and then to shake me out of my comfort zone when I\u2019m feeling blocked.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">What is your \u201cstudio\u201d setup?<\/h2>\n\n\n\n<p>I just opened my own studio space \u201cChez Ballsy\u201d around the corner from my place. It\u2019s a small commercial space that I spent about 6 months working on. I\u2019m really excited and proud to share my studio with the local community and start hosting workshops for women and gender minorities who are interested in learning about the technical side of making music, since we\u2019re only about 3% of music producers. I love skillsharing so I\u2019m super happy to finally have a proper space to do that! In terms of some of my favourite gear, I had a ton of fun building my own 10U rack for my analog gear, filled with some great-sounding emulations of classic gear. I\u2019ve also got my trusty synth duo, a Roland JU-06A for any Juno 60 or 106 sound my nostalgic heart longs for, and a Moog Subsequent 25 for some epic bass and leads. They\u2019re a match made in heaven that I use pretty much every day.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"638\" src=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2642.jpg\" alt=\"\" class=\"wp-image-2764\" srcset=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2642.jpg 850w, https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2642-300x225.jpg 300w, https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2642-768x576.jpg 768w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><figcaption>Chez Ballsy: Isabelle&#8217;s studio setup<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">What is your process when working with other people? How is collaboration different in the studio vs working remotely?&nbsp;<\/h2>\n\n\n\n<p>My process always starts with doing whatever I can to break the ice. Collaborating can be such a vulnerable and intimidating thing, it certainly is for me, so I always try to make everyone involved feel as comfortable as possible, and set the tone for this being a safe space to get creative, share weird ideas, make mistakes, and just have a silly fun time. From there I try to get a sense of whether the artist wants me to steer the ship or if they know what they want and would prefer to run the show. I\u2019m happy working in either way, again I just want to make sure everyone is feeling good about the workflow. From there it just ends up being a lot of throwing stuff at the wall and seeing what sticks. Trying out sounds, riffs, melodies, layers and seeing what gives us a visceral gut reaction vs what just isn\u2019t sitting right. I use more or less the same process when working remotely, but sometimes it can be harder to get those gut reactions. There is inevitably more of a disconnect when we\u2019re not in the same room, I\u2019m working by myself, leaning on my own reactions, and then waiting to see how the artist feels. There\u2019s less of that \u201cin the moment magic\u201d, but a great way to work with artists from around the world.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">At what point(s) are you comfortable letting other people hear what you are working on?<\/h2>\n\n\n\n<p>I try to work on projects that I\u2019m excited by, which wasn\u2019t always the case. When I first started, I had to take a lot of gigs that I really didn\u2019t enjoy to be able to hone my skills and pay the bills. These days I tend to be pretty excited to share what I\u2019ve been working on with whoever wants to listen. I\u2019m fortunate to know a lot of great artists that I look up to and respect so being able to get their feedback on an idea or an early mix is really valuable to me. It\u2019s not always easy but I\u2019m trying to shed that \u201cimposter syndrome\u201d and instead be proud of my journey and improvement.<\/p>\n\n\n\n<div class=\"byta-callout grid-cell grid--full pad-30 border-grey text-center\"><h3 class=\"blue-dark\"> Byta delivers fast and secure audio sharing<\/h3><p class=\"blue-dark p-regular set-width\">With Byta you are in control of your music. <\/p>\n<a href=\"https:\/\/byta.com\/what-is-byta\" class=\"button_wrapper\"> <span class=\"button bg-melon mar-top-30\">Read More<\/span><\/a><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Do you share your work in progress (streams or downloads)? Any technical frustrations? <\/h2>\n\n\n\n<p>I most often use email which means I have to use small mp3 files. For sharing more files, or higher quality files, I use Google Drive, which can be frustrating when the \u201cshare\u201d function sometimes seems to have a mind of its own. What happens most often is that folks share a link with me but I can\u2019t actually open it because it was set to \u201crestricted\u201d, so they have to go in and send me an actual invite. It\u2019s wacky.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"933\" src=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2635.jpg\" alt=\"\" class=\"wp-image-2767\" srcset=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2635.jpg 700w, https:\/\/byta.com\/blog\/wp-content\/uploads\/2021\/12\/IMG_2635-225x300.jpg 225w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption>Guitar collection<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">How do you know when a track\/album is finished?<\/h2>\n\n\n\n<p>This is so tricky, and one of the most infuriating but beautiful things about making music for me. I feel like a song is a sort of polaroid snapshot of where you were at that moment in time, and sure maybe you wish you could change what is now a super outdated hairstyle in that old photo, but your dorky smile was, and still is, meaningful to look back on. Was that cheesy or brilliant? Who knows. Basically I want to keep evolving and growing as an artist, which means I could work on a song for years and never really be satisfied with it. At a certain point you just have to call it; this is the best that the song could be at this moment and that is special. For me, that usually comes while I\u2019m listening back to the song and just enjoying it &#8211; I\u2019m not looking for anything I need to change or adjust, it just feels good, so it\u2019s done.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">How do you listen to the final mixes\/mastered work?<\/h2>\n\n\n\n<p>I listen to final mixes at the studio on the different speakers and headphones in there, since they\u2019re the sources I\u2019m most comfortable with. At home I listen on earbuds, and out of my phone and laptop speakers to see how they translate. I don\u2019t drive often but when I do I always put on whatever I\u2019m working on to get a sense of how it sounds on the car\u2019s sound system.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">How important is pre-release security when sharing new work? <\/h2>\n\n\n\n<p>Super important. I feel like there\u2019s a real, and valid, preciousness to unreleased music. Someone worked really hard, and maybe spent all of their savings, to make this one unique and meaningful thing so yeah, only they should have the right to decide when it\u2019s ready for sharing. All of my own or the band\u2019s pre-release streaming links are set to private or password protected, and any text on the webpage has about 100 \u201cTHIS IS PRIVATE PLEASE DO NOT SHARE\u201d warnings hahaha! So far so good!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Who on your team gets to hear the final versions first and why, what formats do they each need?<\/h2>\n\n\n\n<p>Most probably my manager Beth. She is equal parts superfan and honest critic, so it\u2019s nice to get her feedback. Depending on the release I\u2019ll make sure she gets the mp3, wav, lyrics, songwriting splits, metadata and any additional assets she may need. From there it\u2019ll head over to my publisher to ingest into their catalog system to start pitching as soon as possible.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Outside of your inner circle who are the people that will need to hear the new tracks next?<\/h2>\n\n\n\n<p>Again depending on the release, sometimes I\u2019ll privately share Soundcloud links with fellow artists, music supervisors, playlisters and other pals in the industry.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Anything you are working on, anyone you are working with and want to share? <\/h2>\n\n\n\n<p>I\u2019ve had the pleasure of working with some pretty amazing new talent over the past year. I\u2019m so honoured to have collaborated with these women on the first music releases of their career. Right now though, I\u2019m super excited to get back in the studio with my band <a href=\"https:\/\/www.caveboymusic.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Caveboy<\/a> to work on some brand new music! Stay tuned!<\/p>\n","protected":false},"author":5,"featured_media":2758,"template":"","categories":[14],"class_list":["post-2757","methodtomymusic","type-methodtomymusic","status-publish","has-post-thumbnail","hentry","category-methodtomymusic"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Isabelle Banos | #MethodToMyMusic - Byta Blog<\/title>\n<meta name=\"description\" content=\"Isabelle Banos is an artist, songwriter and producer from Montreal. 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