{"id":4286,"date":"2022-08-25T06:39:31","date_gmt":"2022-08-25T06:39:31","guid":{"rendered":"https:\/\/byta.com\/blog\/?post_type=methodtomymusic&#038;p=4286"},"modified":"2022-08-25T15:22:40","modified_gmt":"2022-08-25T15:22:40","slug":"nin3s","status":"publish","type":"methodtomymusic","link":"https:\/\/byta.com\/blog\/methodtomymusic\/nin3s\/","title":{"rendered":"NIN3S"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Where are you based?<\/h2>\n\n\n\n<p>Hey, I&#8217;m Manu Garcia, aka NIN3S. I am from Spain but based in Connecticut (USA).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">How, when and where did you start making music? Are you primarily a musician or a producer, or do something else?<\/h2>\n\n\n\n<p>I started playing the piano when I was 4 years old, so a long long time ago.! I started composing and producing my own music back in 1993 and in 1995 I did my first live show. No DAW, just analogue gear. Back then computers were much more expensive than synths!<\/p>\n\n\n\n<p>I would primarily define myself as a musician and composer, then a producer. That would be the order relating to the steps in my career. But above everything, I am a music lover.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"933\" src=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2022\/08\/NIN3S_IMG_5304.jpg\" alt=\"\" class=\"wp-image-4309\" srcset=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2022\/08\/NIN3S_IMG_5304.jpg 700w, https:\/\/byta.com\/blog\/wp-content\/uploads\/2022\/08\/NIN3S_IMG_5304-225x300.jpg 225w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Who would you consider some of your biggest influences when it comes to your \u201csound\u201d?<\/h2>\n\n\n\n<p>I have a lot of influences. My Dad was the main influence in terms of music because he was the one buying vinyl and playing music to me all the time. But <a href=\"https:\/\/jeanmicheljarre.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jean Michel Jarre<\/a> was my first big influence in terms of sound. My father came home one day with a cassette in 1982, with the amazing \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=wyzXZ_NFVrg\" target=\"_blank\" rel=\"noreferrer noopener\">Magnetic Fields<\/a>\u201d and I fell straight in love with electronic music. But also artists like Status Quo, or Queen, or Kiss!! Also New Order, Depeche Mode, Vangelis&#8230; and of course, Mozart and Bach.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Explain your creative process. Do you have a routine?<\/h2>\n\n\n\n<p>I have a very simple but maybe weird process:<\/p>\n\n\n\n<p>I need silence. I usually keep myself in silence for a couple of days with no music, just \u201cwriting\u201d the main ideas of the songs in my mind. \u201cListening\u201d to the music within me. I need to have the songs 100% done in my mind before I sit myself down in the studio. As soon as I have it, I play it on the piano but also improvise around it so maybe I can naturally find a better or different way to approach this \u201cmusic\u201d that I hear in my interior. As soon as I get comfortable with it and I feel like \u201cit is myself\u201d, I start the production process.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">What is your \u201cstudio\u201d setup?<\/h2>\n\n\n\n<p>I have two home studios (one in Spain and one in the US) with different gear: 4 different audio devices (2 apogee, 1 RME and 1 UAD) so I can achieve the sound that I want from each instrument. I have a piano from 1936, and a brand new amazing electric piano (Dexibell), 2 Roli Seaboard, an Ibanez electric guitar with a small amplifier, a saxophone, a 3 different Waldorf synth, the Dave Smith Prophet6, the classic Korg Prophet (also some more synth that I don\u2019t use anymore), 5 different drum machines (even though I prefer to record real drums) 4 different microphones, 4 different headphones so I can listen to the music with different perspective, 3 pairs of studio monitors, and a bunch of midi controllers and some other tools. And of course my laptop is full of virtual synths too.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"554\" src=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2022\/08\/NIN3S_Gear_IMG_5298.jpg\" alt=\"\" class=\"wp-image-4308\" srcset=\"https:\/\/byta.com\/blog\/wp-content\/uploads\/2022\/08\/NIN3S_Gear_IMG_5298.jpg 700w, https:\/\/byta.com\/blog\/wp-content\/uploads\/2022\/08\/NIN3S_Gear_IMG_5298-300x237.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">What is your process when working with other people? How is collaboration different in the studio vs working remotely?&nbsp;<\/h2>\n\n\n\n<p>I come from a very small city in Spain, far from almost everywhere. So I have been working on collaborations remotely most of the time. So my process involves trying to find an easier way for everyone.<\/p>\n\n\n\n<p>My first approach is trying to find the right chords and melodies that I am usually recording myself with the piano but I am trying to make it as much open as possible. What I mean is, that I don\u2019t want the other musician or singer to be stuck in the middle of a piece of music completely close because I want them to be involved in the process. So as soon as I have some principal idea, we start working on their parts, giving the tracks the shape, following our natural path. As soon as I have the voices, other instruments, etc is time to put myself as a producer and start editing everything. Then, I need to decide if I am going to change the structure, re-record different parts, add something new or even change the whole track!<\/p>\n\n\n\n<p>In the end it is a very creative process, open to doing whatever needs to go because creation is improvisation. Playing live is full of improvisations so I really don\u2019t know how it is going to be at the end even when I have a clear picture in my mind.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">At what point(s) are you comfortable letting other people hear what you are working on?<\/h2>\n\n\n\n<p>Sure! I am 100% comfortable. I feel really confident with my emotions when I am writing music. What I need to see is if the feedback is matching what I am trying to explain. \ud83d\ude42<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Do you share your work in progress (streams or downloads)? Any technical frustrations? <\/h2>\n\n\n\n<p>Not too much. Not everybody can understand just a simple idea or a work in progress. It is difficult to try to make someone understand your vision just with an idea. At least, the idea has to be 75% done. But there are certain people that I definitely like to share my work with because I trust them and also because they know me enough that they can understand me by just listening to four bars. But I am going to tell you: I can count these people with just the fingers of one hand \ud83d\ude42<\/p>\n\n\n\n<div class=\"byta-callout grid-cell grid--full pad-30 border-grey text-center\"><h3 class=\"blue-dark\"> Byta delivers fast and secure audio sharing<\/h3><p class=\"blue-dark p-regular set-width\">With Byta you are in control of your music. <\/p>\n<a href=\"https:\/\/byta.com\/what-is-byta\" class=\"button_wrapper\"> <span class=\"button bg-melon mar-top-30\">Read More<\/span><\/a><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">How do you know when a track\/album is finished?<\/h2>\n\n\n\n<p>You never finish a song, you just abandon it.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">How do you listen to the final mixes\/mastered work?<\/h2>\n\n\n\n<p>This is a process too&#8230; I usually listen to the track through four different pairs of headphones, studio monitors, my phone, the car, my wife\u2019s car, and the Alexa speaker hahaha&#8230; everywhere!!<\/p>\n\n\n\n<p>So, when I feel that the mix has the same \u201cface\u201d, the sound is giving me the same feelings, that is the right moment to stop tweaking it.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">How important is pre-release <a href=\"https:\/\/byta.com\/features\/protected-links\" target=\"_blank\" rel=\"noreferrer noopener\">security<\/a> when sharing new work? <\/h2>\n\n\n\n<p>It is very important. I respect art and I also respect the work from labels and my team so I am very careful during the pre-release process.<\/p>\n\n\n\n<p>I had seen people playing music that they recorded from a radio show (I EVEN SAW A DJ PLAYING A TRACK WITH THE VOICE OF THE RADIO DJ OVER IT!!), I saw people even stealing a laptop from a DJ booth just to copy the music. It is crazy. So, yes, I am very careful with this part of the process.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Who on your team gets to hear the final versions first and why, what formats do they each need?<\/h2>\n\n\n\n<p>I really like to share the ideas of what I am doing with my team (just talking, not showing the music) with the new projects. And as soon as I have the music almost done (still open to little adjustments) I like to show it to them via Zoom or something like that to hear and see their reaction. But I am really not the kind of person that needs to always have my ego showing everybody every step of the process or every single track that I finish. Just the ones that I decide that are going to be perfect to release at that moment. They also have a lot of work to do, so I can\u2019t be annoying everyone every day with music hahaha. I respect their time too \ud83d\ude09<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Outside of your inner circle who are the people that will need to hear the new tracks next?<\/h2>\n\n\n\n<p>I usually show the tracks to my Wife and a couple of friends, but always in front of me. I like to see the real reaction, not feedback by email or a \u201ccool, sounds good\u201d!. No. A face gives me more profound feedback than an email with 6,000 words.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Anything you are working on, anyone you are working with and want to <a href=\"https:\/\/byta.com\/what-is-byta\" target=\"_blank\" rel=\"noreferrer noopener\">share<\/a>? <\/h2>\n\n\n\n<p>Biggest thing for me to share is my new single &#8216;Innerlight&#8217;, out this week! Listen to it <a href=\"https:\/\/lnk.to\/nin3sinnerlight\" target=\"_blank\" rel=\"noreferrer noopener\">right here<\/a>.&nbsp;<\/p>\n\n\n\n<p>The other part of my time is dedicated to the movie industry. Besides working on soundtracks I am also involved in movie production. We are going to release a couple of short movies and we are involved in very interesting big projects but that is something we can not talk about yet, but soon it will be released! \ud83d\ude00&nbsp;<\/p>\n\n\n\n<p>I am sure you are going to love it!<\/p>\n","protected":false},"author":5,"featured_media":4289,"template":"","categories":[14],"class_list":["post-4286","methodtomymusic","type-methodtomymusic","status-publish","has-post-thumbnail","hentry","category-methodtomymusic"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>NIN3S | #MethodToMyMusic - Byta Blog<\/title>\n<meta name=\"description\" content=\"Artist NIN3S (aka Manu Garcia) talks to Byta about how he creates music, studio set up, influences, songwriting and new releases.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/byta.com\/blog\/methodtomymusic\/nin3s\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NIN3S | #MethodToMyMusic - 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