I live in Montreal but also am often in France when there is no COVID crisis.<\/p>\n\n\n\n
As a consultant at Espaces Temps, I work on several projects that are archiving, enhancing or semantizing, exploring the process behind, the project\u2019s music, artifacts, or concerts. Last year with LATICCE, using bots and web scrapers, we examined three music streaming platforms , to determine whether the recommendations offered to paying subscribers were actually useful. Our findings showed that they were not that great and that for some services the Cold Start issue, not having gathered sufficient information, can take months to resolve.<\/p>\n\n\n\n
Almost everything. Lots of indie pop, lots of local French independent music, classical, jazz, lots of post-punk from the ’80s.<\/p>\n\n\n\n
I discover a lot of new music while listening to specialty radio shows. For years, my bible go-to was \u201cThe Signal\u201d on CBC-Radio in Canada, but it was cancelled. PanM360.com is an excellent blog where I discover all kinds of music. I also use scrobblers- like Last.fm and MusicRoamer to discover artists that are similar to what I like. Until recently I was using Spotify recommendations, but I just migrated my playlists to a Montreal-based streaming service called QUB Music. They don’t offer recommendations, but have a lot of editorial playlists from local artists.<\/p>\n\n\n\n
I use digital platforms and I have a turntable. Sometimes I have to turn to CDs when I can\u2019t find the music on streaming services.<\/p>\n\n\n\n
“Sometimes I have to turn to CDs when I can\u2019t find the music on streaming services.”<\/p><\/blockquote>\n\n\n\n
Where do you do most of your music listening?<\/strong><\/h3>\n\n\n\n
We installed Chromecast in the dining room to listen to playlists and listen to vinyl in the living room. I had an old Yamaha CA-810 amplifier, which I had cleaned, and it is now hooked up to Tannoy studio monitors. I sold off a lot of my old vinyl, keeping just my favorite albums. The turntable is an Audio-Technica with a USB digitizing port, which is cool.<\/p>\n\n\n\n
How do you find and listen to pre-release music?<\/strong><\/h3>\n\n\n\n
These days I’m discovering things on SoundCloud and musicians also send me their digital files through WeTransfer.<\/p>\n\n\n\n
What are your frustrations with listening to music digitally? Any benefits?<\/strong><\/h3>\n\n\n\n
I always avoid listening to unreleased tracks when connected to the Scrobbler, and I don\u2019t even upload them to Apple Music. I consider these to be precious items, things to keep off the radar. One frustrating thing about digital music, is its inability to credit all of the contributors to the music, like the studio. All of that information that we used to have access to and can sometimes still find when we buy vinyl.<\/p>\n\n\n\n
How do you keep track of everything you are listening to?<\/strong><\/h3>\n\n\n\n
I use Last.fm and also sync my library with Soundiiz.<\/p>\n\n\n\n\n\n
Do you tip other people off to new music? How?<\/strong><\/h3>\n\n\n\n
For that, I use Facebook, because it is still the place where I have the most followers.<\/p>\n\n\n\n
Anything you want to \u201cpromote\u201d?<\/strong><\/h3>\n\n\n\n
I really like what Kl\u00f4 Pelgag<\/a> is doing and all the collaborators in her orbit, her new record is Notre-Dame-Des-Sept-Douleurs, out on Secret City Records. I also like the Flore Laurentienne <\/a>who is Mathieu David Gagnon (Kl\u00f4\u2019s brother\u2026), and the work of Antonin de La Gabatine<\/a>. Two completely mind-blowing local Francophone and instrumental musicians with global reach. <\/p>\n","protected":false},"author":4,"template":"","tags":[],"acf":[],"yoast_head":"\n
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