Treaty One Territory, Winnipeg, Manitoba, Canada<\/p>\n\n\n\n
I\u2019m the executive director of Manitoba Music<\/a>. We\u2019re a member-based not-for-profit music industry association and I lead a fabulous team that serves and develops the music industry in Manitoba.<\/p>\n\n\n\n Listening to lots of faves from 2020 – Lianne La Havas, Moses Sumney, Phoebe Bridgers, Faye Webster, Julia Jacklin. Here’s my ‘Bittersweet Lockdown’ playlist.<\/a><\/p>\n\n\n\n Ready for some new music though, checking out new tracks from SZA, serpentwithfeet, Arlo Parks, The Weather Station, Fruit Bats, Adrianne Lenker. <\/p>\n\n\n\n My rhythms for discovering new music, and the whole cycles of new music being released, have been pretty disrupted by COVID. Normally, I travel to music conferences and music discovery festivals as part of my job. I\u2019m often supporting and presenting Manitoba artists or supporting our Indigneous or Francophone music programs. I\u2019m meeting with industry folks from around the world to learn what they are working on and to connect with potential partners with our artists and companies. As part of that, I\u2019m hearing a ton of new music. I\u2019m listening to the rosters of the companies that I\u2019m meeting with and listening to the line-ups of the festivals. I generally scour festival line-ups and playlists in advance of each event, SXSW, or The Great Escape, or Reeperbahn Festival, or M for Montreal, and make lists of the artists that I want to hear. I discover so much music this way. <\/p>\n\n\n\n Usually these playlists and live festival showcases set the tone of my listening for the year \u2013 hearing artists as their records are coming out or before. Or other times catching up on something that I\u2019d missed and discovering music that is new to me. This year SXSW was back, all virtual of course, but it was still exciting to dig in and search for new music. This is what I found<\/a>. <\/p>\n\n\n\n I still have hifi stereo with a CD player and I was a holdout for a long time, but I admit it\u2019s been quite a while since I listened to a CD. I recently packed up several boxes and carted them to the thrift shop. I know most people did this years ago. I skipped the MP3 phase of digital music in that I never ripped my CD catalogue into a computer and didn\u2019t have a complete collection of MP3 music. I\u2019m just young enough that I didn\u2019t really have an original LP collection. I had some cassettes but really mostly CDs. So it was hard to move on. Now I collect vinyl of the artists and albums that I really love, and it is a thrill to hear music on vinyl on a nice stereo. <\/p>\n\n\n\n I mostly listen to Spotify, and I love it. I listen to so much new music all the time. I love streaming as a music discovery platform. I keep ongoing playlists of favourites and use the curated and algorithm playlists. I also really like the Apple music playlists that are all curated by their staff of music lovers. I have so much respect for the programming staff at the streaming music companies for the amount of music that they listen to and program.<\/p>\n\n\n\n I listen to music while working, most of the time. I generally find it energizing and focusing. I have studio monitors in my office at work and a decent old Yamaha stereo in my workspace at home. I have AKG on-ear headphones for walking around. I have a Sonus One speaker that is convenient but I don\u2019t hear the fidelity that some claim to hear. My stereo at home is most often commandeered by my 9 year old daughter, who thankfully listens to a fair amount of good music, if on frequent repeat. It\u2019s a simple Cambridge Audio amplifier with Acoustic Energy cabinets and a basic ProJect turntable, and I love it. I have it wired directly to a laptop and use Chomecast audio to cast to it. I\u2019m so happy listening to music on this sound system. <\/p>\n\n\n\n I have the pleasure of receiving pre-release music from a lot of Manitoba artists, and it\u2019s always a great pleasure and joy to hear. And of course it\u2019s super useful for my job to know what\u2019s coming for local releases.<\/p>\n\n\n\n I am constantly listening to music digitally. I don\u2019t really deal in MP3s at all anymore, only links. But I do like having metadata or credits in some way so I can see who is the songwriter, the producers, the musicians. The frustration is keeping tabs of things, as they come in all different formats and platforms.<\/p>\n\n\n\n “The frustration is keeping tabs of things, as they come in all different formats and platforms.”<\/p><\/blockquote>\n\n\n\n I\u2019m terrible at this and I really should have a better system. I build playlists for myself for the most part.<\/p>\n\n\n\n\n\n I generally flip spotify links to people.<\/p>\n\n\n\n Yes! Go listen to some Manitoba artists. You can find local Manitoba new releases here<\/a> (and below) plus an ongoing updated new release playlist here<\/a>. Our new Black Professionals in Music (BPM) playlist here.<\/a><\/p>\n\n\n\nWhat are you listening to?<\/strong><\/h3>\n\n\n\n
How do you discover new music?<\/strong><\/h3>\n\n\n\n
What formats do you usually listen to? LP, CD, Cassette, Digital, Streaming Services? Why?<\/strong><\/h3>\n\n\n\n
Where do you do most of your music listening?<\/strong><\/h3>\n\n\n\n
How do you find and listen to pre-release music?<\/strong><\/h3>\n\n\n\n
What are your frustrations with listening to music digitally? Any benefits?<\/strong><\/h3>\n\n\n\n
How do you keep track of everything you are listening to?<\/strong><\/h3>\n\n\n\n
Do you tip other people off to new music? How?<\/strong><\/h3>\n\n\n\n
Anything you want to \u201cpromote\u201d?<\/strong><\/h3>\n\n\n\n