It\u2019s been a weirdly good couple of months for albums. Listening to Miami Memory – Alex Cameron, A Picture of Good Health – LIFE and I still have Ride\u2019s new one on rotation here and there. Aside from full albums, I\u2019m regularly listening to The Wants<\/a> from NYC – featuring two members of BODEGA. Only 2 singles so far but can\u2019t wait for more – I put them on in Portsmouth the other week, great show. Also Just Mustard<\/a>, YAK, Bambara, Kiwi Jr<\/a>, High-Vis, Lazarus Kane. Oh and Warmduscher<\/a>… new album is going to be amazing!<\/p>\n\n\n\n A huge mixture really. Some of it is from agents or other managers telling me what\u2019s coming up. Being involved in So Young Magazine<\/a> means I can often hear about things nice and early – either through PRs or word of mouth. I read up on websites such as Loud & Quiet (as well as having a physical subscription), Fader, Quietus, Paste Magazine etc. and do make use of Spotify playlists to find new music too. It\u2019s not always the best way but I\u2019ve discovered some real great bands that way – including Kiwi Jr. A lot of the time the best ones for discovery aren\u2019t just the ones curated by Spotify – but those by magazines or fellow music lovers that I follow. I definitely recommend everyone follow The So Young List on Spotify – regularly updated with great new music. I have a bit of a mixed format listening pattern. Generally, I\u2019ll listen via Spotify and 90% of the time I\u2019ll also buy the physical format which is most commonly CD (so I can also play in the car) but also often vinyl. There are certain records I\u2019ll be highly anticipating the release and I\u2019ll refuse to listen until I have the physical format, as it just allows me to be in a better place ready to appreciate the music, rather than just on the move or sat at a computer doing other stuff at the same time. I really find the car to be the best spot to listen to an album. Your mind is only in two places, on the road and in the music which at night can be really soothing. No distractions! (drive safe, kids).<\/p>\n\n\n\n Mostly at work or in the car. Sounds like I\u2019m in the car a lot right? I\u2019m not that much. I\u2019ll listen to said playlists above via Spotify at work or choose an album. I\u2019ll also get sent things via email which I\u2019ll quickly check out before I forget. This is where I suddenly sound older\u2026 one thing I never do is listen to music in earphones whilst on the move. A combination of preferring to be in the moment mentally and physically and hearing my surroundings – mixed with a fear of making my tinnitus worse! My setup at home is a Soundbar which my mac connects to via bluetooth and my turntable is plugged into. It\u2019ll tend to be a record spinning on a weekend and digital music playing in the week when I\u2019m listening to a combination of good finds or recommendations.<\/p>\n\n\n\n Premieres are becoming less common as they become less effective at the moment, though when they do happen I tend to find them via So Young, Clash or Loud & Quiet. Premieres on radio can be good but I must say, I hardly ever listen because of the times. Jack Saunders does some good premiers on Radio 1 for indie bands and he picks up a good range of stuff so I respect his show for that. As does Steve Lamacq on 6 Music and Wilko on Beats. I really recommend Wilko\u2019s show. I mainly find pre-release music again via social media and people I trust sharing, or by recommendations again including PRs or agents.<\/p>\n\n\n\n In terms of pre-release, Soundcloud private is easy enough. The technical challenges come from its app basically being pretty crap and hard to navigate \/ find users or artists. It\u2019s even very limited on your own profile and pretty tricky to grab your own private link quickly to share with someone. It has got a bit better recently but not by a lot. YouTube doesn\u2019t allow you to listen if the phone is locked, which I do understand in keeping it\u2019s identity as a video platform and not an audio player but it can be frustrating… Especially for older, rarer tracks you can only find on YT! I have my own playlist on Spotify that I refer back to, these are mostly in years. \u2018I like 2019\u2019 is my current one which i go back to. Sometimes I save a song to this before I listen that\u2019s recommended as I know I\u2019ll definitely remember to listen this way. If I\u2019m not into it I\u2019ll just remove it later on. This is the main way I keep track or save – I don\u2019t listen to downloads or actually store music digitally in any other way. If I like something elsewhere like Soundcloud, I\u2019ll keep going back to trying to find the link again which isn\u2019t ideal. Back in the day I would say my iTunes library, but can\u2019t remember the last time I clicked to open iTunes!<\/p>\n\n\n\n I\u2019ll mostly send Spotify links, Soundcloud private, Byta shares or sometimes YouTube videos to friends via FB messenger or email. If I find something good via a website or blog I\u2019ll share the link too – as mentioned above So Young, Loud & Quiet, Stereogum etc.<\/p>\n\n\n\nHow do you discover new music?<\/h3>\n\n\n\n
Mostly it\u2019s through word of mouth or being forwarded things – chatting to other managers, agents, PRs\/pluggers, promoters from other cities. There\u2019s a number of London promoters that do some great stuff early on for new artists. I\u2019ll search through their listings sometimes and take a listen!
I don\u2019t listen to the radio much, but when I do it\u2019s either BBC Radio 6 Music or Amazing Radio. AR is really great for discovering things much smaller and at an earlier stage. I was going to say Facebook Groups too, but to be honest it\u2019s just one group. AF Gang is great for finding new music from like-minded individuals – or great for passing on great new music you\u2019ve found!<\/p>\n\n\n\nWhat formats do you usually listen to? LP, CD, Cassette, Digital, Streaming Services and why?<\/h3>\n\n\n\n
Where do you do most of your music listening?<\/h3>\n\n\n\n
How do find and listen to pre-release music?<\/h3>\n\n\n\n
What are your frustrations with listening to music digitally? Any benefits?<\/h3>\n\n\n\n
I think crappy apps is the most common frustration as when someone sends something and I\u2019m on the move, I\u2019ll only remember to listen to it if it\u2019s there and then. It just needs to be simple and if possible, saveable. The benefits to digital as a whole is someone can recommend something and I can listen there and then. I\u2019ve even noticed recently certain bands are on Spotify before they\u2019re on social media. So from a hype point of view for new bands and booking them for shows, this is good for me. Great example is Crack Cloud<\/a> from Calgary.<\/p>\n\n\n\nHow do you keep track of everything you are listening to?<\/h3>\n\n\n\n
Do you tip other people off to new music? How?<\/h3>\n\n\n\n
Anything you want to \u201cpromote\u201d?<\/h3>\n\n\n\n