The music and creative cultural hub that we called Liverpool!<\/p>\n\n\n\n
I work in lots of places as I am a music and music culture creative consultant. So I work on loads of different projects across the UK although my HQ, so to speak, is in Liverpool. Right now I am working on projects for Google, PRS Foundation, Liverpool City Council, Toxteth EL8TE and a few other clients. I do everything through my creative consultancy company, Nothin But The Music. I also serve as a board member for the Liverpool City Region Music Board and Black Music Action Group and leading music talent and digital sector development organisation, Generator NE in Newcastle.<\/p>\n\n\n\n
All the programmes and initiatives I work on integrate music, culture and content production that focus on delivering long-term impact for creatives, brands, organisations and communities. I truly believe that the empowerment and platforming of under-represented voices, cultures and stories without a doubt strengthens and bolsters the art, media and culture we consume.<\/p>\n\n\n\n
I can\u2019t stop listening to these songs – which aren\u2019t the most current – but seem to just constantly stay in rotation <\/p>\n\n\n\n
I am also deep into the following podcasts:<\/p>\n\n\n\n
I may just spend as many hours listening to podcasts as music right now, I think.<\/p>\n\n\n\n
Every way possible really; in my home my wife still plays the radio and has it on constantly during the day. She flicks between many wide-ranging stations through the day so I am always hearing new stuff plus classics sprinkled throughout. My 10 year old son and my 17 year old step-daughter are on TikTok and Youtube Shorts so I\u2019m always hearing brand new things and artists through them. Then naturally through my work, I am always discovering new artists and new music directly through talented music creators and managers. I am also known to Shazam every now and again as I go around and hear some nice and new music.<\/p>\n\n\n\n
I used to Exec produce a lot of radio shows for BBC national radio so I was constantly getting new music sent to me too. And I am still on a few.<\/p>\n\n\n\n
I have a home office (since the pandemic) so home and work sometimes mix – so definitely a lot being listened to at home. But I would say I listen to even more music on the move. So gym, school run, on the way to meetings, travelling. It\u2019s also where I tend to listen to more new<\/em> music. In fact after I finish this interview, I am going to listen to a preview of Michael Aldag\u2019s debut album, which doesn\u2019t have a release date, while I go for a run.<\/p>\n\n\n\n “I have a vinyl player and a decent amount of records. About 600-700 CDs and even some tapes from back when. BUT I am a streamer. It\u2019s easier and works better for me.”<\/p>\n<\/blockquote>\n\n\n\n I definitely get a bit of music before it comes out through music creators and industry folk who may want my opinion. I love that. Through the various talent development programmes I design, deliver or support, I have the luxury to be in a position to advise a lot of creative people so I get sent music early for my opinion. <\/p>\n\n\n\n I\u2019m super excited for so many releases that are coming up from a range of different artists that I have heard in a LOT of mailout lists too so I am on it.<\/p>\n\n\n\n I have a vinyl player and a decent amount of records. About 600-700 CDs <\/p>\n\n\n\n and even some tapes from back when. BUT I am a streamer. It\u2019s easier and works better for me. I am an Apple Music guy. We have a decent system at home with interlinked Homepods and I have carplay in my car so music can be constant throughout.<\/p>\n\n\n\n I hate being sent music by WhatsApp as the labelling is a myth and it is easy to miss. I hate being sent attachments without proper labelling\/metadata too because they go into my music app and it means nothing as the volume means that if I don\u2019t listen straight away, it can get confusing. I always remember that from servicing music to radio – add your name – song title etc to the MP3. Or send links.<\/p>\n\n\n\n As a consumer, I remember the hunt for releases in record stores, which was exciting. Then reading the album sleeves and having to wait to hear the songs. Then making time to sit and listen to the album. I do miss that whole experience. Now so much music is available so I do find it hard to fully ingratiate myself in that experience because it is so easy to listen and there are so many releases.<\/p>\n\n\n\n I think I really get excited for new artists with a point of view, or generational talent who create amazing bodies of work or new and exciting waves and genres and \/ or just new ways of delivering work. So a new Kendrick album or forthcoming Sampha album, or someone new like TEMS getting going, or a Beyonce show, or Jay-Z Book of Hov exhibition\u2026 or the roll out of Guvna B\u2019s album. They capture my whole imagination and make me cherish and experience the music differently. That energy.<\/p>\n\n\n\n If it is released I save it or add it to my own playlist. The playlist is the realest streaming dedication hahaha. That means I\u2019m involved.<\/p>\n\n\n\n If someone has sent me an mp3<\/a> of an unreleased track, I save it to a folder on my desktop called PENDING. That means I am always drawn to it, along with important unfinished work stuff. So I\u2019m on it daily.<\/p>\n\n\n\n\n
Where do you do most of your music listening?<\/strong><\/h3>\n\n\n\n
How do you find and listen to pre-release music?<\/strong><\/h3>\n\n\n\n
What are your frustrations with listening to music digitally? Any benefits?<\/strong><\/h3>\n\n\n\n
How do you keep track of everything you are listening to?<\/strong><\/h3>\n\n\n\n